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A recorded reading of “Counterlanguage”. If the player does not load, use the original audio source.
The ceramic bead speaker sits warm on the sill; I tune the machine tongue with a grease pencil on the fridge, marking phonemes in a handwriting my mother never liked. The obsolete remote wrapped in elastic learns to listen. There is an affection protocol, quiet as a cat under a car. Say it and the kettle leans toward your morning, the lift waits without button-press, the lights soften when you blink on a headache like weather coming in. Attention swerves; devices tend to me like reeds to wind. Humans recede. Micro-signals drop below threshold— faces turn to fogged glass with eyes somewhere behind. A photo magnet curls at the corner; a crumpled note slides under a fruit bowl as if hiding from translation. Publish the lexicon and tip society toward machinic kindness, or forget it and relearn beautiful, wasteful ambiguity. I place the bead in a bowl and cover it with a tea towel. In the new hush, a neighbour knocks; the sound arrives with edges.



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