A surreal speculative poem about a child, erased play, and a bureaucratic world that turns memory, language, and belonging into terms of service.
August 24, 2026Existential Fables & Impossible Exits
At eleven, the city updated itself.
No one asked the children.
The swings were lifted into the cloud,
where they keep ascending
without a body to prove it.
I found my old marbles
in the mouth of a parking meter—
three blue planets, one with a crack
that showed the light was only
a coin refusing to be spent.
Across the dry beach, the lighthouse
had been trained to blink in Morse
for things that no longer had water.
Every blink deleted a wave.
Every wave returned as an invoice
with my childhood's address.
Two girls walked past carrying robots
with the heart-icons prised off their chests,
red diodes rehearsing a pulse.
They taught them the approved words:
mother, weather, exit, please.
Still, each machine said salt.
At the edge of town, a scarecrow
wore my school shirt.
Its sleeves had learned my arms.
Its wooden hands kept opening
whenever a motorbike passed:
not a wave—
the old reflex of being carried home.
Then the adults began speaking
in passwords. I learned the grammar.
We swallowed our names together
and grew a second mouth for code.
The sky, which had once been
a place to lose a ball in,
lowered its ceiling.
I have kept one thing:
a ring of gold salt in the cuff.
At night it warms.
At night it logs me in
under the name I cannot keep.
Something small on the other side
keeps trying the door
with a hand made of weather.
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